To Write Better Characters, Invert the Binary

As storytellers, it’s our responsibility to shape others’ view of the world. The easiest and most subversive way to do this is to get ahold of one of these binary oppositions and deconstruct it.

French linguist, Ferdinand de Saussure was studying Western languages when he discovered that everything we understand, we only understand because we can compare it to something opposite. In order to know evil, we must know good. To know freedom, we must know slavery. To know light, we must know dark. 

Jacques Derrida took this thought further and said that in all of those binary relationships, one of the values dominates the other. Light dominates dark. Good dominates evil. Freedom dominates slavery. Man dominates woman. You see where this is going. When you only have two values and you place them in opposition to each other, one of them is going to come out on top. In Western culture, many of these values have been cemented into our worldview. Thus, wealth dominates poverty. Capitalism dominates Communism. White dominates black. Those who are able are inherently better than those who are disabled.

Pieter Fourie claimed that deeper in each of these binary oppositions were secondary oppositions. White means wealthy, powerful, civilized, good, favored, intelligent. Black means poor, powerless, uncivilized, inherently bad, cursed, and unintelligent. Man means strong, virile, intelligent, capable of leadership, logical. Woman means weak, chaste, unintelligent, incapable of leadership, emotional. While most of these assumed binary positions have been criticized and proven false over the years, many of them still remain in our subconscious view of the world. 

As storytellers, it’s our responsibility to shape others’ view of the world. The easiest and most subversive way to do this is to get ahold of one of these binary oppositions and deconstruct it. We do this by inverting the binary order. Instead of a Black savage in Africa, why not explore the mind of a White savage in New York? Try making your hardened special forces operator a mother of three. Or make your benevolent, successful businessman a high-school-educated Ugandan immigrant.

Doing this creates interesting characters who leave a greater impression, because they challenge our preconceived notion of the way things are.

Finally, you can invert the binary on locations or objects as well. So many fictional murders are committed in dark alleyways that it has become a cliche. Why not place a violent encounter in a place we deem as safe and free from turmoil, like a sunny day in a flowery garden?

So, how do you do it? When you’re creating a character or a setting, choose one defining characteristic, say age. You’ve got a little girl, age 9. Now, ask what characteristics are associated with youth. Innocence, imagination, playfulness, beauty, naivety, a lack of knowledge, etc. Pick one and invert it. Let’s take “a lack of knowledge”. Instead, we’ll make this girl very well read. In fact, when we meet her, she’s reading a Dostoyevsky novel in an attic where she lives while using a knife to cut off a slice of apple. She lays it down on a stack of other Russian authors and pulls an Isaac Asimov off the top of a tower of science fiction books. Already, this girl is more interesting than a pretty little princess in pigtails playing with dolls. What’s going to be even more interesting is how all that reading affects her decisions. We want to know how she sees the world, what she thinks, why she locks herself into books.

Give it a go. Try as extreme a departure from the norm as you can imagine. If that doesn’t fit, rein it in a little bit more or pick another characteristic. I’m interested to hear what you come up with.

How to Get Ideas for Stories

Here’s the lesson about reading: read inside your genre to perfect your style, outside of it for new ideas.

I told my wife a while back that I had finally hit the turning point in my second novel, Fracture, coming out at the end of this month. My first novel starts out with a whip-crack (the lead character falling out of an 8th floor window) and only slows down to take a breath in a few places. With Fracture, I wanted to work on a slower build that gradually increased in tempo like a lit fuse nearing the first stick of dynamite in a chain of explosions.

When I explained this to my wife, she said, “I wouldn’t know where to begin writing a novel.”
“It all starts with an idea,” I said, “usually a ‘what-if?’.”

That’s why de-cluttering your space, schedule, and mind is so important to an author. When you’re stuck in routines or harried by to-do lists, your mind doesn’t have time to wander.

  • You need time to read. Books are great. They shape your perception and your style as an author. Books aren’t the only places where authors get ideas, though. Pick up magazines, news articles, slip through an encyclopedia or a national geographic. Here’s the lesson about reading: read inside your genre to perfect your style, outside of it for new ideas. So if you’re looking for something fresh, get outside your genre for that brilliant “what-if?” that sets your pants on fire.
  • You need time to wander too. Set aside 30 minutes to go for a walk at the end of the day. Go alone if you can or with a friend who likes to talk about things outside of conventional conversation. Maybe just sitting on the same bench in the same park is what you need. Whatever it is, clear your mind of all the tasks you have to do and give yourself time to dream on whatever takes your interest.
  • People-watch. There is no better place to find drama than laundro-mats and all-night diners. Go places where people talk loudly. Bring a pen and paper or your phone and a note-taking app. Capture moments of dialogue that hook your attention, life’s ironic twists, physical descriptions and tics, and the multiple facets of the human psyche.

These are just a few ideas to get you going. How about you, though? How do you find your stories?

Some Simple Encouragement and Advice for Writers, Artists, and other Creatives

We worry when we stumble across something truly excellent that we might just be setting ourselves up for disappointment when we can’t sustain that level of mind-blowing brilliance.

You’re thinking about a story or a blog idea and boom, it hits you like a frying pan in the face in one of those old cartoons. It’s that perfect idea. It’s the one that takes everything that throbs inside of you and puts it into words that express it in a way you haven’t heard before. For a moment, you rocket up into the stratosphere, imagining the unique visitors and comments, the book sales, the TED talks, the friggin’ Nobel prize!

Then that other feeling hits you. It’s the one that makes you feel like someone’s just poured a pint of mercury into your veins. It’s a feeling of dread and depression. It says, “yeah, this is the most incrediawesomeable idea I have ever heard. It’s the one that’s going to make me. But then what?” What do you follow it up with. You stop hopping around in the shower like Gollum with his precious, and you stand there, water dripping off your cheeks, a cold numbness prickling at your private parts. The mercury meets up with that prickling and makes it way, slowly to your brain. All your dreams clam up under the urging voice saying, “Put it away. The thought is too good. You can’t follow it up. People will be disappointed with whatever you put out next. You’ll slowly watch your followers tick down from the hundreds of thousands to the fifty that you have now, which consists of TeamFollowBack members, BookSpammers, and your alcoholic uncle who writes dark, erotic crime novels with characters that are uncomfortably close in resemblance to the people in your family.”

We all know that voice. Anyone who is judged on their creativity knows that voice because we know we are not the source of our ideas. We are dependent on inspiration for our greatest ideas, and we cannot control it. So we worry when we stumble across something truly excellent that we might just be setting ourselves up for disappointment when we can’t sustain that level of mind-blowing brilliance.

Let me step in to encourage you here, my friend. I’m all for practical consideration and planning out your next steps before making big decisions, but worry has no place in that process. So the next time you hear that voice, step out of the shower, throw it in the toilet and flush it. Then towel off and go write. Don’t worry about following up your brilliant ideas with more brillianter ideas. Just put them out there and keep writing. It won’t all be great, but the more you write, the better and more consistent it will get.

Movies Worth Your Time: Cake

Aniston is like a sponge sopped in bitterness, sorrow, anger, and pain. She carries that burden subtly so that, at no moment, despite the heaviness of the film’s content, does she over-act to prove a point.

Time–we don’t have a lot of it, and every movie out there claims to be “spectacular”, “one of a kind”, “mesmerizing”. Let me save you some time right now and point you at films that are worth seeing for those who like thought-provoking, story and character driven, sometimes a-typical films. You may have seen them. If that is the case, let me know what you thought in the comments. If you haven’t seen them, check them out and come back for a conversation. If you’ve got any others to add to the list, pop them up in the comments feed.

cake-cake-posterCake. I’ve heard a lot of talk about Reese Witherspoon’s Wild, but not much about Jennifer Aniston in Cake. I’ve seen Wild, and, yes, it was good. It was the best acting of Reese’s career, and the story was important, but it felt lacking due to having to compress an entire memoir into a film. Cake, in my opinion, is the better movie. It, too, sees the best acting from its main character, Jennifer Aniston. Aniston is like a sponge sopped in bitterness, sorrow, anger, and pain. She carries that burden subtly so that, at no moment, despite the heaviness of the film’s content, does she over-act to prove a point. All she has to do is look at you and you see the weight of her life in her eyes. The movie begins in a chronic pain support group, where one of the members has committed suicide. It follows Aniston’s character as she processes that suicide and continues to manage, or mis-manage, her own pain. Slowly, her character opens up to us like a crushed orchid unfolding. As more becomes known to us, we are left asking ourselves how we could possibly have managed anything better.

Busting Writer’s Block

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There are plenty of tips to breaking up writer’s block. They are all good, but here’s my favorite. It’s my favorite because it makes me feel in control of the act of writing, lets me stop feeling satisfied and start with plenty of new ideas to bring to the page. You ready for it? Okay, here it is. Real simple: don’t finish.

When we’re writing–especially when we’ve struck a vein and the words are gushing–there is this drive to get it all out before that vein dries up. Number one, that mentality is a problem. By thinking you’ve got a limited supply of ideas and they only really come in spurts of inspiration, you lock yourself into a mindset of inspirational poverty. That’s not the case. The words are always in you. It’s just about your mind making connections between concepts. When you put a full stop on an idea with a period, you sever those connections. If, however, you stop writing in the middle of a sentence, you keep that connection open. What’s more, using the analogy of the vein, you let those words keep flowing when you walk away from the computer and soon you’ll be swimming in them. Your subconscious will keep making connections, and bursts of insight will hit you while you’re pulling the milk out of the fridge, the car out of the garage, or your head out of your ass after a fight with your spouse.

Number two, if you know how a sentence, or a scene is going to end, then you come back into the act of writing with at least half a tank of fuel to get you going. Writing out a full chapter till you can’t think of what comes next leaves you dry, with little motivation to sit back down and start, since you don’t have that enough juice to get things moving.

So, how do we put this into practice? Easy. If your goal is to write a chapter a day, write a chapter and a half, or just three-fourths of that chapter. I don’t typically stop conversations if they are really crackling, or a description that I have just the right words for. I do, however, stop right smack in the middle of a sentence if the point of the sentence is the character performing an action or moving from one place to another. I know where it’s going and it’s not critical to say it just right (not yet at least). To get into this practice, all you have to do is call off the voice of that asshole overlord in your head that tells you to finish the sentence and stop right in the-

How’s that? You’ve got that urge to finish the sentence, don’t you? Good. That’s what I’m talking about. Now try it out for yourself. But before you go, why not share some of your own ideas on busting writer’s block?

To Write Authentic Dialogue, Write Backstory First

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Last week I told you about a conversation my wife and I started having about writing.
“I wouldn’t know where to start writing a novel,” she said.
“It all starts with an idea, a ‘what if?’.” I answered. So, last week we talked about where you get your ideas. That wasn’t enough for my wife, though.
“Yeah, but all that dialogue,” she said, “where do you begin writing that?”
“Backstory, I guess,” I said. “I start by figuring out who my characters are. I don’t try to write anything until I’ve got that sorted.”
Backstory is, perhaps, the most critical step in the creation of a novel for me. To write a character, I have to feel like I know them well enough to invite them to a birthday party. That’s actually a great way to get to know your characters.

If you’re having trouble getting a handle on someone in your novel, imagine that you are out on a double date with them, or that you’ve invited them over to your house for a party. 

Ask them the typical questions that you get asked at a party. How would they respond? What questions would they ask you? Who would they get along with? If you want to make things interesting, imagine a crisis: a motorcycle drives through your fence, you find out your sister has been sleeping with that character, you ran out of dip. What does that character do?

After I nail down the backstory of my characters complete with at least a few childhood memories and the track of their life decisions, then I pen that down on an index card. From that point on, all I have to do is put that character in the room with another character and a subject to talk about. They do the rest.
“When you know your characters, you don’t have to worry about dialogue,” I told my wife. “You just let them talk. If you start hearing words come out of their mouths and thinking, ‘that doesn’t sound like Shirley,’ then you know that you’re taking over and putting those words in there.”
Sure, writing this way may lead to some rambling conversations about trivialities, but that’s often what makes the dialogue interesting. It’s the details that tell the story. And, if you’ve got twelve pages of blathering nonsense at the end of your writing, you know two things. First, you know a little more about your character. Second, you know that you can always tighten that dialogue up when editing time comes around.

How about you? What part does backstory play in your writing process? Are there any characters who have become immortalized in your mind because of the amount of detail that the author put into their backstory?

Catching Up on the Blog Tour

If you haven’t found the recent links to my blog tour online, I’ve posted them here for you. Enjoy, my friend.

What Inspires My Writing on Journeys Thru Books

An Excerpt from Chapter 3 of Hindsight on BookBlurbsJim

Villains and What I Learned from Writing Hindsight on Pastime with Books

To Outline or Not To Outline on Next Big Book Thing

3 Keys to Getting Ideas

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I told my wife today that I had finally hit the turning point in my second novel, Fracture. My first novel, Hindsight, starts out with a whip-crack (the lead character falling out of an 8th floor window) and only slows down to take a breath in a few places. With Fracture, I wanted to work on a slower build that gradually increased in tempo like a lit fuse nearing the first stick of dynamite in a chain of explosions. Yesterday, my lead character turned the corner. It’s a good feeling when you’ve put all the pieces into play and you can finally start the real action. When I explained this to my wife, she said, “I wouldn’t know where to begin writing a novel.”

“It all starts with an idea,” I said, “usually a ‘what-if?’.”

That’s why de-cluttering your space, schedule, and mind is so important to an author. When you’re stuck in routines or harried by to-do lists, your mind doesn’t have time to wander.

  1. You need time to read. Books are great. They shape your perception and your style as an author. Books aren’t the only places where authors get ideas, though. Pick up magazines, news articles, slip through an encyclopedia or a national geographic. Here’s the lesson about reading: read inside your genre to perfect your style, outside of it for new ideas. So if you’re looking for something fresh, get outside your genre for that brilliant “what-if?” that sets your pants on fire.
  2. You need time to wander too. Set aside 30 minutes to go for a walk at the end of the day. Go alone if you can or with a friend who likes to talk about things outside of conventional conversation. Maybe just sitting on the same bench in the same part is what you need. Whatever it is, clear your mind of all the tasks you have to do and give yourself time to dream on whatever takes your interest.
  3. People-watch. There is no better place to find drama than laundro-mats and all-night diners. Go places where people talk loudly. Bring a pen and paper or your phone and a note-taking app. Capture moments of dialogue that hook your attention, life’s ironic twists, physical descriptions and tics, and the multiple facets of the human psyche.

How about you? Where do you get your best ideas from? What places or habits help you to get those brilliant ideas?

Love-in-a-Mist: A Christmas Present for You, Dear Reader

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I wanted to do something special for you, because with your limited time, you’ve chosen to visit my blog. So here it is, my gift to you this Christmas: an unpublished short story I wrote just a little bit ago called, Love-In-A-Mist. Merry Christmas.

Love-in-a-Mist

by Owen Banner

Dad’s at it again–mowing the lawn. I smell the grass and hear the quiet whirr of his push-reel mower even through my closed bedroom window. It fogs up with my breath, and I rub my palm over it to clear the fog away, hearing the squeaky rubbery sound of skin on glass. Mom left a month ago, and, since then, Dad’s been out there every couple of days.

It used to be their thing. He’d cut the grass in his riding mower. Mom planted flowers: powdery lavender, sweet white and pink peonies, yellow California poppies that closed up at night, and bright pink azaleas that looked like trumpets bursting open with so much color. Her favorites, though, were the Love-in-a-Mist bushes. They’ve got pale blue stars for flowers with wispy green veins stretching out behind them. She said they were a perfect cottage flower.

A few years ago, at a garage sale, she’d bought a beat-up garden gnome with a red hat, blue pants, and dirt smudged all through his white beard. She always put him right in the middle of the Love-in-a-Mist. It drove Dad nuts. He complained about it every time we grilled out in the backyard.

The gnome’s gone now. Mom must have taken it with her. The peonies are dead. All that’s left of the California poppies are their grey-green leaves and stems.

I can’t see them now, anyway, because it’s nighttime, but I can see the line of freshly cut grass that Dad’s leaving as he walks the imaginary boundary between our yard and our neighbor’s. He’s wearing grey sweatpants and a zip up hoodie because it’s getting colder at night. His white tennis shoes are slick with dew and spattered with blades of grass like bugs on a windshield. Before mom left, he kept his face shaved. Now he’s got a week-old beard climbing up his neck. It’s a lighter brown than the hair on his head–the part of his head that isn’t bald. The beard’s closer to the copper on the rims of the glasses he’s wearing.

Dad passes by the California poppies with his mower singing, to himself, “I can’t go for that. Oh, no can do,” by Hall and Oats, his favorite band. He pushes the mower from one side of the yard to the other, tripping the motion sensor spotlights like he’s on stage at a concert. He passes by the two trees on the right, then doubles back.

When I was born, Dad named me after his dad, Elmer. I don’t know why he did it, because we only see my Grampa at Veteran’s Day and the Fourth of July. The day I was born, though, dad planted an Elm tree in the back yard. Two years later, my mom got pregnant again. “And this time,” she said, “I get to name the baby.” She picked “Ashton” for my brother and planted an Ash tree beside the Elm.

A breeze blows through the branches of those trees and across the yard, knocking the rusty swingset by the fence into motion. We don’t use it anymore, but dad never got around to taking it down. Mom’s ivy geraniums are climbing up the wooden sides of it. Above and behind it, a low rumble starts in the dirty, yellow clouds somewhere over Cincinnati. The blinking red and green lights of an airplane follow the sound out into the sky. I watch the plane climb higher until it disappears again, wondering if Mom’s on it. I look down. Dad’s stopped. He’s watching it too.

I’ve got his light brown hair, but mine’s cut in a straight line a centimeter above my eyebrows. Mom said that Dad had freckles too, like I do, when she first met him. She said, “They just exploded across his face. I thought he was the cutest thing.” She told me that every now and then when she’d come in to kiss me and Ash goodnight. She’d bend over our beds, smelling like lavender and say, “I. Love. You,” tapping us on the nose with each word. But she always said, “Boop” and tapped my brother on the nose a fourth time. Then, she’d give us a kiss and go downstairs, open up a Clive Cussler adventure novel and read until my dad called her to bed.

Her and Dad started fighting about six months ago. They were in the kitchen washing dishes.

“Well, maybe that’s a sign that you should try writing again,” I heard mom say. “I always thought you gave up too early.”

Dad told her to be realistic. “No one’s handing out jobs in this economy, Jo. I’ve got one. I put food on the table, and I like what I do.” His voice sounded stiff.

“No you don’t. You hate it, Todd,” she said back. “It’s a soul sucking, shit-eating job, but you’re just scared that your dad was right and that you aren’t good enough on your own. You hate it, and I hate it, and I hate what it’s done to you–to us.” She stopped. “I can’t do this with you, anymore.”

Dad was quiet. Mom dropped a pot into the sink and pushed out the door to the backyard.

A couple weeks after that, she came home late from the library. She walked in to kiss us goodnight, and there was cigarette smoke mixed with the lavender in the curls of her hair. Mom hated cigarettes. That’s how I knew she was going to leave us.

Ash rustles in his bed behind me. I turn to see if he’s awake, but he’s just rolled over. He’s got my mom’s black hair and creamy white skin. He’s sucking his thumb again. I turn back to the window and catch my own face in its reflection. Ash and I have my dad’s eyes, a dull green that blends into the color of the night-time grass.

“What’s he doing?” Ash says, quietly, from behind me.

I look back over my shoulder to see his eyes open. There’s a wet smear on his pillow where his thumb is resting against it.

“He’s done with the mower,” I say, looking back outside.

Dad leans it on the worn-out picnic table and picks up his garden sheers. We listen to them snipping away under the sound of the cicadas in the trees.

A month ago, I walked by my parent’s room and saw Mom’s suitcase half-packed, lying open on the bed. Clothes, jewelry and a few books were scattered around it. She was in the bathroom, showering. I knew that I couldn’t make her stay–maybe if Ash was there, but he was at soccer practice. And besides, I thought she might be happier if she left. Maybe if her and dad just had some time, she would come back and he would quit his job and write like he always wanted to. I didn’t knock on the door to say “goodbye”. I dug through the suitcase and found the Bon Jovi, Live in L.A. T-shirt that she wore to bed sometimes. I pressed it to my face and smelled the sweet, dreamy lavender on it. Then I put it back at the bottom of the suitcase and went to my room to start my World History report.

The next day she was gone. Ash locked himself in our room and wouldn’t come out for dinner. Dad and I sat downstairs at the table eating some microwaved vegetables and a rotisserie chicken he’d bought at Publix. The only sound between us was our forks punching through peas and clinking against our plates. I slept in Dad’s room that night. He cried in his sleep.

He started mowing the yard the next day. At first it was just every few afternoons, but then it got later. The neighbors called the cops because of the noise, so Dad bought the push-reel mower. Ash and I were in to bed one night, and we heard the rotors on the mower start to flick across the grass. We looked at each other in the darkness.

“What’s wrong with Dad?” he said, his dark hair falling in his eyes.

“Nothing. He just misses Mom,” I said back.

Ash was quiet for a while, then he fell asleep. He started sucking his thumb. I started watching Dad at night. Sometimes he sings. Other times he just talks to himself.

“Something’s wrong with him,” Ash says.

“Yeah.”

We both listen, and I watch him. He’s cutting the strands of grass that he couldn’t get with the mower. He starts around the legs of the picnic table. Then he clips along where the yard meets Mom’s flower beds. When he’s done, he lays his head sideways on the grass and scans for any blade he missed. He’s still singing, “No can do.”

“He reads mom’s books,” Ash says from over my shoulder again.

“What?” I look at him.

“Last week, I thought I heard someone downstairs, in the living room. I thought mom came back.”

He looks like her, and I wish I did.

“I went down to see if it was her. But it was him. He was sitting in her rocking chair, reading a Cussler novel that he got from the library.”

“Did he see you?” I ask.

“No.”

We’re both quiet, listening to dad singing to himself outside and the snipping of the garden shears.

“I hate him,” Ash whispers through his teeth. His eyes are full. Tears run sideways over his nose and cheek, down into his pillow.

“She’ll come back,” I say, “for you,” I finish.

He sniffs, wipes his nose and squeezes his eyes shut.

Dad finishes with the sheers and pushes himself to his feet. The front of his sweatpants are wet and stretched out around the knees. He’s stopped singing. Now he’s just talking to himself. I can’t hear much, but every now and then, I catch my mom’s name, “Joanna”. He tucks the sheers under his neck, hitches the waistband up and ties the drawstring tighter. Then he sets the sheers back on the picnic table and grunts as he picks up a bag of mulch. His tennis shoes squeak over to the azaleas. He tips the shiny, white plastic bag and the mulch comes tumbling out. He pours too much, sets the bag down, grabs a handful from around the bush and sprinkles it on the dead peonies nearby. Pretty soon the bag is empty, and the whole yard smells like manure. Dad takes Mom’s spade and kneels down by the bushes, pushing the mulch around till it’s even.

On Monday he planted some Love-in-a-Mist underneath the Ash tree and a few lavenders. I’m getting sleepy while he works his way around to them. I lean my head on the glass, feeling the cool, hard pane press against my face. My eyelids feel like old rags rubbing against my eyes.

A creaking noise wakes me up. I jolt, thinking that Dad’s at the door and he’s caught me with my face against the window. The door’s still closed, though. I look for Ash, but he’s asleep, sucking his thumb again. The creaking is coming from outside, down at the swingset. Dad’s sitting on the swing, nudging himself back and forth with the dirty tips of his tennis shoes. There’s a stray piece of mulch in his beard. His hands are tucked into his sweatshirt. He’s singing “Sarah, Smile”, the part of the song that says, “It’s you and me forever,” and staring at the dirt in front of him. I look to the right and see what he’s done. Under the Ash tree, between the lavenders and the Love-in-a-Mist that he planted on Monday, the garden gnome is standing.

I feel cold at my ribs and pull my elbows in to touch them. I want to wake Ash up, but I can’t take my eyes off of my dad. He creaks back and forth on the swing. The cicadas have died out, so it seems louder. He takes his glasses off. They glint in the spotlights. He rubs them on his sweatshirt, then unzips it, and sets the glasses back on his face. He stands, walking towards the house, and the chains jangle behind him. Still singing, he takes off the sweatshirt and ties it around his waist. He’s wearing mom’s T-shirt, the one that says Bon Jovi, Live in L.A.

If you enjoyed this, consider checking out my novel, Hindsight, available on Amazon for only $0.99 and in the Kindle Owners Lending Library for free.

Blog Tour Update

Yes, I apologize for it every time. There is an upcoming New Year’s resolution to be a better blogger in the works. I am at work on my second novel Fracture and have been on blog tour these past few months. I’ll be posting again very soon, but, in the meantime, you can check out the following links for a few insights into Hindsight, my debut novel, and into my life as a globetrotting author.

Read an excerpt of Chapter 1 at Victory in Books

Read an excerpt of Chapter 3 at Black and White Pages

Read an excerpt of Chapter 7 here at eInk Reviews or here at The Book Connoisseur

Find out about Shirley, the lead character of Hindsight at Life Altering Reads

Tips on Writing in First Person at Writers and Authors

How I Write at Reading Dream Life

What Has Influenced My Writing at Living4Books

The Benefits of Travel as a Writer at Need to Stop Reading