Review: Blue Ruin

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Blue Ruin’s best trait is its slow reveal. If you did not read the synopsis or look at the movie’s poster, you wouldn’t know it was a revenge thriller until a good twenty minutes into the movie or so. It opens with wit and a melancholic humor that helps you quickly attach to the main character, Dwight. He is a homeless man, living off what he can scrounge and what he can steal. Isolated from people, he is still drawn to them, to a life he once knew. I won’t give up too much more, because, as I said, every small revelation is a slow unraveling of the backstory that weaves together with Dwight’s current actions to create the tapestry of chaos and violence that lays over a growing number of bodies like a sheet at a morgue. I will say this, however. Dwight is not the perfect action hero. He is no ex-marine or ex-cop or ex-mafia hitman. He’s just a normal guy, a little pudgy around the edges and not accustomed to pulling a trigger. He makes mistakes, and he is punished for them. That’s what made this revenge thriller so refreshing. Give it a shot. It’ll be worth the night.

Review- 11/22/63: A Novel

11.22.63

 

Stephen King’s Needful Things was the book that turned me on to reading and writing again, after a long hiatus. The book set the bar quite high for other thrillers and here’s why:

King is a master of atmosphere. Other authors focus on creating a terrifying villian. King, however, simply traps his very human characters in a horrific situation, like putting two starving guinea pigs in the same cage, then watches them eat each other. These characters are going about their ordinary lives when something changes, be it an invisible dome snapping down over their town or a mist that rolls in with monsters in its wake or an old shopkeeper who sells people the things they want for a simple favor. This change is what all of King’s readers have come to love about his writing.

He sets a scene so thoroughly that it smells and tastes like you are sitting at a diner, drinking a gritty, bitter slosh of coffee while you overhear the conversations that carry on around you. Then an unseen hand turns the dial on the thermostat up just a little and the scene shifts. Soon, things are tense and that tension doesn’t let up when the villain leaves, because something has changed in the ordinary people that still live in the hamster cage.

I could go on about Stephen’s knack for plot-craft, but I intended to talk about 11/22/63, and that I shall. Truthfully, I could have used a little more of that sense of foreboding. The entire novel was heavy on the nostalgia, but a little light on the suspense for my tastes. There were those moments when everything is going wrong, but I didn’t feel as compelled into finding out just how bad things could get, because there were a few too many rays of sunshine in this piece. This could be what some readers are looking for. They don’t want a white-knuckle thriller, just an escape to a different time. If that’s what you’re out to find, then this is a great book. King doesn’t just write suspense or horror, after all. He’s the author of The Green Mile and Shawshank Redemption as well, both beautiful works of the nobility and strength of the human spirit. Others have felt this one falls closer into that category. I felt he was trying to straddle the fence a little and could have gotten off on either side.

The premise is interesting. You walk into the pantry of a diner in 2014 and out into the past. You could stay for five years, but when you go back into the diner, you’ve only been gone for two minutes. You go back into the past, but it’s always the same day and every time you go back, you reset everything you did to the timestream on the trip before. Now, one of the characters thinks so much of the world’s evil could be undone if someone could just keep JFK from being assassinated. Then the mission begins. An ordinary goes back to stop a killing (a few killings, actually).

I would like to have seen a little more darkness and desperation in the main character, Jake Epping. For most of the novel, he seems to wander around trying to figure things out, making up life as he goes along. It’s believable. He’s not a superhero and stepping back in time would definitely put you on your heels, but I didn’t get much of a drive from him for most of the book.

One thing that King does excel at in this novel is his research. It is exhaustive. He knows everything from obscure dog-racing scores to the kinds of cigarettes smoked in his locals fifty years ago. That was, perhaps, the most impressive thing about the book for me. It gave the whole story an air of authenticity is critical to works of science fiction. It took a while, but his theories of time-travel presented an unusual slant on the organism, or machine, of time and how our actions affect the nature of reality. It was a payoff, however, that I would have like to have come sooner.

Overall, this is a very enjoyable, believable story, but I would not say it is one of King’s best. The suspense is quite watered down by the length of time it takes to tell the tale and the span of years that it covers. Suspense is not everything, however, and if you want a story that is one part thriller and three parts homage to the 50’s, then this is the perfect tale for you.

Happy “Get Horse-Faced and Talk Like a Leprechaun” Day!

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Celebrate Saint Paddy’s day this year with a pint and a good book.

Hindsight is set in Ireland with vivid descriptions of the land and “humorous and unerringly human [personalities], full of all the quirks and flaws that make a great character”. It boasts a white-knuckle plot with visceral action that hinges on old grudges and buried family pain. Best of all, it’s only $2.99, which saves you plenty of money to pay the bartender or to get that ill-decided shamrock tattoo.

Pick up Hindsight here for a perfect toast to Ireland without the crippling hangover.

Review: Odd Thomas

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A story of a young man in a nowhere town who can see the dead. I won’t give you much more of the plot. You can read the description on the book for that if you’d like.

Koontz’ Odd Thomas series has become something of his flagship work. I’d seen it a number of times, but never given it a chance. A few years ago, I read The Face. The two books have similar qualities. Koontz’ natural narrative voice is full of sensory detail, making every spoonful of ice-cream or juicy bite of an apple into a mouth-watering moment to savor. He makes note of the complexities of the human condition, juxtaposing the mundane with the extraordinary or the wicked with the benign. What I most appreciate about his work, however, is his ability to carry a metaphor all the way through a chapter. This might seem tiresome at first glance, but Koontz weaves the metaphor so skillfully throughout the narrative that you don’t want to miss a word, because each turn of the phrase brings out some new nuance to his metaphor that welcomes the reader into the deeper meanings of the tales. In The Face, I found myself intrigued by the villain, Corky Laputa. Odd Thomas, by contrast, is so full of unique and colorful characters that they all perk your attention when they pass through the frame.

Odd Thomas, himself, is as likeable, quirky, and complicated of a lead character as you are like to find in a popular novel these days. The story, told from his perspective, tints the world in the hues that only he can see. There’s an undercurrent of melancholy to his tone that is lightened throughout by his extreme hopefulness, humor, and knack for noticing the idiosyncrasies in the people around him. Of course, this novel is not solely about character and paces quite nicely into darkness and bloodshed. The horrors that the reader experiences, however, are always mediated by Odd’s philosophizing, trying to make sense of a life so full of death. Some readers might find this irksome, but I enjoyed it. I only wish I hadn’t finished the book while in a public place, because the end leaves you needing to sit down and take a moment.

Hindsight $.99 Sale

I’ve gotten some good love from reviewers lately. Lines like this one keep my fingers pounding out the pages on the keyboard, “Surprisingly for a novel in this genre it is more importantly unpredictable in its twists and turns, and this kept me turning the pages until I finished the book.”

You’re here for this reason, though. Kirkus Reviews has called Hindsight, “A high-stakes suspense novel with a breakneck pace and strong voice.” They have selected the novel as one of their Indie Books of the Month. It’s for this reason that I’m going to give some love back to you, my reading friends. This week till Friday, I’ll be dropping the price of Hindsight to $.99. At less than a movie rental, you can enjoy a whole weekend of “a staccato beat of furious double-crosses, stunning revelations and gritty action.” Just follow the link here, and be sure to leave me a review or drop me a comment letting me know what you think of the novel.

Kirkus Calls Hindsight, “A high-stakes suspense novel with a breakneck pace and a strong voice.”

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Kirkus Reviews has published the review of Hindsight and it’s stunning. The good news doesn’t stop there. They’ve chosen Hindsight for the “Kirkus’ Indie Books of the Month Selection,” which you’ll be seeing mid-March.

“A debut novel about an Irish-American ex-con combines the appeal of the thriller and noir fiction genres in a style similar to that of Lee Child’s Jack Reacher books… Featuring some insightful character development and pedal-to-the-metal pacing, this novel gets its real power from its gritty narrative voice, which is simultaneously jaded and principled… A high-stakes suspense novel with a breakneck pace and strong voice.” – Kirkus Reviews

Click here to purchase Hindsight on Kindle for the low price of $2.99. If you’re a part of the Amazon Lending Library, then you can pick it up for free.

Review: The Spy Who Came in From the Cold

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Le Carre sets the standard for the intellectual spy thriller. While this is a George Smiley novel, you only see him in the shadows. The lead character in this novel is Alec Leamas, an MI6 operative running things in Cold War Germany before he gets sacked for a failed operation. He’s sullen, sarcastic, cunning, and quite likable. You can read the book’s description if you want to find out about the story. I’m here to tell you why I liked it.

Le Carre’s strength is the intricate web of lies that his characters weave around each other. The entire novel, like most Le Carre tales, is a dance of spiders, each trying to catch the other in their trap. Playing perfectly into this dynamic are the high-stakes consequences that result from seemingly insignificant exchanges of dialogue. In Le Carre’s world, it is not laser pens or grappling hook brassieres that turn the tides of war, it is the ability to deceive and maintain deception until the end. Take this excerpt that epitomizes what I think is the theme of the novel:

“A man who lives a part, not to others but alone, is exposed to obvious psychological dangers. In itself the practice of deception is not particularly exacting. It is a matter of experience, a professional expertise. It is a facility most of us can acquire. But while a confidence trickster, a play actor or a gambler can return from his performance to the ranks of his admirers, the secret agent enjoys no such relief. For him, deception is first a matter of self defense. He must protect himself not only from without, but from within, and against the most natural of impulses. Though he earn a fortune, his role may forbid him the purchase of a razor. Though he be erudite, it can befall him to mumble nothing but banalities. Though he be an affectionate husband and father, he must within all circumstances without himself from those with whom he should naturally confide. Aware of the overwhelming temptations which assail a man permanently isolated in his deceit, Leamas resorted to the course which armed him best. Even when he was alone, he compelled himself to live with the personality he had assumed. It is said that Balzac on his deathbed inquired anxiously after the health and prosperity of characters he had created. Similarly, Leamas, without relinquishing the power of invention, identified himself with what he had invented. The qualities he had exhibited to ****: the restless uncertainty, the protective arrogance concealing shame were not approximations, but extensions of qualities he actually possessed. Hence, also, the slight dragging of the feet, the aspect of personal neglect, the indifference to food, and an increasing reliance on alcohol and tobacco. When alone, he remained faithful to these habits. He would even exaggerate them a little, mumbling to himself about the iniquities of his service. Only very rarely, as now, going to bed that evening, did he allow himself the dangerous luxury of admitting the great lie that he lived.”

Conversations kill in “The Spy Who Came in From the Cold”, so every word counts.

Catching Up on the Blog Tour

If you haven’t found the recent links to my blog tour online, I’ve posted them here for you. Enjoy, my friend.

What Inspires My Writing on Journeys Thru Books

An Excerpt from Chapter 3 of Hindsight on BookBlurbsJim

Villains and What I Learned from Writing Hindsight on Pastime with Books

To Outline or Not To Outline on Next Big Book Thing

Christmas Sale!

“A staccato beat of furious double-crosses, stunning revelations and gritty action.”- 5 Star Review on Amazon

In the spirit of giving, Hindsight, my thriller about a Jersey boy who gets mixed up in some of his family’s old IRA connections, will be going on sale. That’s right. It was cheap before, but now it’s only $0.99 until Christmas! Pick it up on Amazon now!

Blog Tour Update

Yes, I apologize for it every time. There is an upcoming New Year’s resolution to be a better blogger in the works. I am at work on my second novel Fracture and have been on blog tour these past few months. I’ll be posting again very soon, but, in the meantime, you can check out the following links for a few insights into Hindsight, my debut novel, and into my life as a globetrotting author.

Read an excerpt of Chapter 1 at Victory in Books

Read an excerpt of Chapter 3 at Black and White Pages

Read an excerpt of Chapter 7 here at eInk Reviews or here at The Book Connoisseur

Find out about Shirley, the lead character of Hindsight at Life Altering Reads

Tips on Writing in First Person at Writers and Authors

How I Write at Reading Dream Life

What Has Influenced My Writing at Living4Books

The Benefits of Travel as a Writer at Need to Stop Reading